![]() That said, if ECN2 processed film is exposed carefully at EI125, the results can be very good if you like softer colours.Īll images were shot on an M6 with 35mm and 50mm lenses. They are supplied in all-liquid concentrates for easy mixing, and designed for optimum results in many types of processors. ![]() ![]() It allows the full EI250 speed and good tolerance for incorrect exposures, it also gave colours that I find more pleasing. KODAK FLEXICOLOR Chemicals, Process C-41, are for processing all KODAK Color Negative Films such as KODAK GOLD Films, KODAK ULTRA MAX Films, KODAK PROFESSIONAL PORTRA Films, as well as and other manufacturers' films. The grain is very fine and the film has high definition. The C41 processed film has more contrast but with no detrimental effect and colours are natural. The two photos of the children were exposed at EI400, the canal and van at EI250. The underexposed images shot look no different from those at EI250. The films also tolerates under and overexposure much better than ECN2. All returns accepted: Returns Accepted Compatible with Film Type: C-41 Final Rinse Restocking Fee: No Refund will be given as: Money Back Brand: Kodak. The film tolerates overexposure well, it has a lower contrast and the colour palette is more muted compared to C41 processing. Silbersalz35 in Germany, who are offering a new ECN2 processing service, state that the Vision 3 films should be shot at half the advertised speed. The cathedral interior and person in the train images are very grainy, yet the robot and boat, exposed at EI125 exhibit fine grain. It became apparent that the speed of EI250 was too high for the film, it does not like underexposure in ECN2. The C41 lab was Exposure Film Lab, the ECN2 lab was Silverpan Film Lab. Once the Remjet is off the film, normal machine processing can proceed. After soaking the backing sloughs off the film into a sticky mess. KODAK FLEXICOLOR Chemicals, Process C-41, are for processing all KODAK Color Negative Films such as KODAK GOLD Films, KODAK ULTRA MAX Films, KODAK PROFESSIONAL. The backing must be removed in a pre-soak bath of baking soda or ECN2 pre-soak chemical. Eastman Kodak Company, 2002 CURRENT INFORMATION SUMMARY / COLOR CHEMICAL May, 2002 CIS-231 Using KODAK FLEXICOLOR Bleach III HV Regenerator / C-41 KODAK FLEXICOLOR Bleach III HV Regenerator / C-41 is designed to provide robust bleaching performance for high-volume processors of color negative films using Process C-41. Remjet is a very heavy duty anti-halation backing applied to the movie film to help with the friction caused by the film moving at high speed through a movie camera. Please note that movie films must go to a lab that can handle Remjet backed films, most labs will refuse, or you can easily process it yourself. The scans from both labs had a mild red cast, which could only be removed by slightly adjusting the red curve using Photoshop. Globally, 70-80 of photography students are women yet they account for only 13-15 of professional photographers. All the rolls were mostly exposed at box speed for shadow detail at EI250, but I also over and underexposed some negs. Film uses a binder of gelatin to glue the light sensitive goodies and the dyes to the film base. Secondly, the formaldehyde formed a peptide bond. The formaldehyde acted as a biocide to preserve the film from attracks by mold and other beasties. The films were processed at two different UK labs, one roll was put through ECN2, the others C41, then high res scanned. It will work just fine Initially, C-41 film stabilizer was a surfactant (FhotoFlow) plus formaldehyde. The cost of the cassettes was nearly half that of Kodak Portra films, my usual colour neg choice, a handy saving. Perhaps the Kodak Vision 3 250D 35mm movie film would be equally as good? I bought some 35mm cassettes that had been loaded from a bulk roll for a trial. The results were very promising, fine grain, nice colours but the halation on highlights was a problem for me. Exposed at EI800 with an 85B filter for exteriors and processed in C41. Not much of a problem for negative film, but can be for transparencies.A little while ago I tried some 35mm Cinestill 800 colour negative, which is Kodak Vision 3 500 Tungsten movie film with the Remjet anti-halation backing removed. I modified my cameras to use Alkaline cells, but the discharge curve is different. Like my old Minoltas, the only problem is a battery to power the meter since Mercury batteries are not longer made. All depends on what you want in your photo as to open the lens and decrease depth of field or work with time and film speed and keep the same stop. You could double the time at 400 for a similar result with the same f-stop) and the old expired high speed film is much more susceptible to degradation than lower speed films. I’d go at least a full stop over or set the film ISO to 125 or 160 as each film speed is about 1/3 to 1/2 stop (a generalization is 1/2 of the film speed is on stop difference. I think you’ll find using old film that any manual camera or an automatic set for full manual will out perform auto as it will let you control the exposure.
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